The Contradanza de Cetina does not present a spectacle, but a trace.

Masks, movement, and fire do not appear as an event, but as something that repeats over time, slightly shifting. The dance is not staged, but carried by memory.

It is not a moment, but a state that is passed on.

"Record" is a photographic work about what remains.

The series moves from architecture to object, to detail, and finally to trace. People do not appear, yet are inscribed in material, wear, and order.

The images do not show action, but its echo — quiet, reduced, and unstaged.

The flower series does not depict nature, but its condition.

The subjects appear reduced, almost withdrawn — between form and dissolution. Color is present, but muted, never decorative. The flower is not understood as a symbol, but as a surface, as a trace of time.

It is not about growth or beauty, but about what it leaves behind.